Roger L. Simon, who is best remembered for nobody remembering him, is going to the GOP convention, an experience that he is documenting because History Demands It. (History: "who was that douche again? That glib fucker who tried to make money off liberals not liking him anymore because at dinner parties after 9/11, he threw canapes at the capital gains tax?")
Simon expostulates on the Coming Conservative Cinema Renaissaince, in which all of America is swept up in rapturous joy at the prospect of more and more and more fringe wingnut conspira-docs (that's an old genre), all of which make BILLIONS OF BOX OFFICE DOLLARS.
Dinesh D’Souza’s movie on Obama, 2016,
continues to perform at the box office and hot on its heels another
Obamadoc (is that a new genre?) from David Bossie’s Citizen’s United – The Hope and The Change – is opening at the convention. From what I’ve seen of the Bossie film, it also promises to be good.
So this may be the convention of the conservative filmmaker, of all
things. Arrivederci, Michael Moore. In the era of Michelle Obama’s
tedious fitness campaigns he does seem even more passé. Perhaps
Bloomberg will ban Moore’s films in New York until he loses seventy-five
pounds or promises never to drink a fourteen-ounce soda again. (NOTE to
Harvey Weinstein: Slimming is in, Moore is out.)
Is this the beginning of a trend? Will conservative films now start
to spew forth from Hollywood where the bottom line still, on rare
occasions, trumps political pretentiousness? You never know. But if
Romney wins, look for at least a slightly different product from
Tinseltown. They do have stockholders, you know.
Gosh.
A few points.
Michael Moore never had a film "opening" at a Democratic convention. Moore is, whatever else he is, an independent filmmaker.
For myself, I admire a lot of what Moore has done as a filmmaker, am indifferent to some other stuff he's done as a fimmaker, and think some percentage of what he's done as a filmmaker has sucked ass. Also I agree with him on a lot of his overt and implied politics, and in a lot of other respects, think he's wrong.
Whatever -- he's certainly not a propaganda arm of the Democratic Party. Moore is rather a free-market success. No party political support required!
Of course, however, as Simon astutely observes, Moore is fat, so he is wrong, and Michelle Obama is a nagging bitch. So nyah. (This all is known as "civil discourse.")
But then again the free market has made "2016" a huge success, too, because, well, did this lose money?
D'Souza is not a filmmaker so much as a "crazy person."
And I am going to end this with the conclusion of the review of "2016" from the libertarian geniuses at Reason:
But the job of a film is not to have a consistently logical
argument. It is to make that argument persuasively, and
2016 does so with emotional and narrative power.
Jesus Fucking Christ. A libertarian is someone who gets so smug after reading Animal Farm that they proudly twirl their corkscrew tails out in public.